MARC details
| 000 -LEADER |
|---|
| fixed length control field |
05159nam a22002657a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20220602011707.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
220602b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9789811573415 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9789811573408 |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
0 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
025.06 SUN |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
|---|
| Edition number |
0 |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
New media spectacles and multimodal creativity in a globalised Asia |
| Remainder of title |
art, design and activism in the digital humanities landscape |
| Statement of responsibility, etc. |
Sunny Sui-kwong Lam, editor. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xviii, 249 pages |
| Other physical details |
illustrations |
| Dimensions |
25 cm |
| 490 ## - SERIES STATEMENT |
|---|
| Series statement |
Digital culture and humanities |
| Volume/sequential designation |
v.3 |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Intro --<br/>Series Editor's Preface --<br/>Acknowledgements --<br/>Introduction: New Art Forms and New Media Spectacles in the Age of Digitization --<br/>Part I: New Spectacles and Multimodal Creativity in Social Media --<br/>Part II: Art, Design, and Media Communication in the Digital Age --<br/>Final Remarks --<br/>References --<br/>Contents --<br/>Part INew Spectacles and Multimodal Creativity in Social Media --<br/>1 Ethnic Minority Youth as Digital Cultural Participants: Toward a Critical Indicator Study --<br/>Introduction --<br/>Understanding Cultural Participation --<br/>Social Capital and Social Distance --<br/>Cultural Identity Method --<br/>Sample --<br/>Measures --<br/>Findings --<br/>Patterns of Online Cultural Activities --<br/>Patterns in Social Capital --<br/>Cultural Identity --<br/>Discussion --<br/>Limitations and Future Research --<br/>References --<br/>2 Decoding Internet Rumours in the Twenty-First Century: An Interdisciplinary Examination of Social Media --<br/>Introduction --<br/>The Role(s) of Social Media in Social Movements --<br/>Theoretical Framework of Internet Rumour Spread --<br/>Decoding Internet Rumours --<br/>Method --<br/>Analysis of Word Frequency --<br/>Analysis of Themes --<br/>Results --<br/>Prominent Words Appeared --<br/>Thematic Analysis --<br/>Discussion Limitations and Suggestions for Further Research --<br/>Conclusion --<br/>Appendix 1 --<br/>Appendix 2 --<br/>Appendix 3 --<br/>References --<br/>3 Untouchable, or Merely Untouched? Satirical News Websites and Freedom of Expression Limitations in Southeast Asia in the Age of Online "Fake News" --<br/>Introduction --<br/>Satirical News: Toward a Definition from Existing Scholarship --<br/>Online Satirical News: From the US to Southeast Asia --<br/>(Possible) Legal Challenges Faced by Satirical News Websites --<br/>So, What's News? --<br/>New Nation --<br/>Not the Nation --<br/>The Tapir Times --<br/>Pos Ronda --<br/>Beyond the Jokes: An Anti- "Fake News" Genre Conclusion --<br/>References --<br/>4 Intersections of Protest, Art and Networked Space: Analysis of the Artistic Protest Post Carnival --<br/>Introduction --<br/>Post Carnival: Artists' Protest Against Moral Policing --<br/>Dissent and Art in Digital Media --<br/>Art in the Public Space --<br/>Spectacle in the Age of Late Capitalism --<br/>Method --<br/>Analysis --<br/>Post Carnival: Dissent by Artivists --<br/>Production of Physical and Digital Spaces Through Post Carnival --<br/>Territorializing and Deterritorializing Public Spaces --<br/>Spectacularization of Post Carnival --<br/>Conclusion --<br/>References 5 Creativity and Education: Facilitating Transfer of Learning Through Digital Creativity Multimodal Analysis (DCMA) of Social Media Posts --<br/>Introduction --<br/>Background of Multimodal Analysis --<br/>The 1980s and 1990s: The Formation --<br/>The 2000s: The Intersemiosis --<br/>The Post-2010s: The Application in Digital Multimodality --<br/>Analytical Framework for Creativity in Multimodal Texts (AFCMT) in Brief --<br/>Simplifying AFCMT for Teaching and Learning --<br/>Chase Jarvis's Twitter post: An exemplar of digital multimodal creativity --<br/>Analysing Multimodal Creativity in Social Media Posts |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
This edited volume aims to unpack the digitisation of art and media within the dynamics of participatory culture, and how these changes affect the power relations between the production and consumption of these new forms in a globalised Asia. This follows the rise of new art forms and social media platforms in wake of rapid and ongoing digitisation, which has, in turn, produced far-reaching implications for changing media ownership and its role in social, cultural, economic, as well as political activities. New challenges arise every day in relation to digital art and design practices and social media communications, and their respective impact on identity politics. This book showcases a diverse range of interdisciplinary research on these concomitant changes and challenges associated with digital media and technologies within the context of a globalised Asia. The case studies included present perspectives on Asias evolving digital humanities landscape from Hong Kong, China, India, Korea and from across Southeast Asia, with topics that tackle organisational digital marketing, brand advertising and design, mobile gaming, interactive art, and the cultural activities of ethnic and sexual minority communities in the region. This book will of interest to scholars in digital humanities focused on new media and cultural studies |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Digital humanities |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Social media and society |
| Geographic subdivision |
Asia |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Source of heading or term |
Digital humanities |
| General subdivision |
Social media |
| Geographic subdivision |
Asia |
| 843 ## - REPRODUCTION NOTE |
|---|
| Type of reproduction |
Photocopy |
| 887 ## - NON-MARC INFORMATION FIELD |
|---|
| Source of data |
CamTech Library |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Books |
| Suppress in OPAC |
No |
