MARC details
000 -LEADER |
fixed length control field |
02782cam a22004457i 4500 |
001 - CONTROL NUMBER |
control field |
17831391 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OSt |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230210195923.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
130730s2013 enka b 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2013431573 |
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
Record control number |
016172969 |
Source |
Uk |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781780764221 (HB) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1780764227 (HB) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781780764238 (PB) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1780764235 (PB) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)ocn809977213 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
ERASA |
Language of cataloging |
eng |
Transcribing agency |
ERASA |
Description conventions |
rda |
Modifying agency |
UKMGB |
-- |
BTCTA |
-- |
YDXCP |
-- |
YNK |
-- |
CDX |
-- |
NGA |
-- |
OSU |
-- |
OCLCQ |
-- |
DEBBG |
-- |
EMU |
-- |
DLC |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
NA1011.5.L6 |
Item number |
M37 2013 |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
724.6 MAS |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Edition number |
0 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Masheck, Joseph, |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
Adolf Loos [electronic resource] : |
Remainder of title |
the art of architecture / |
Statement of responsibility, etc. |
Joseph Masheck. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London ; |
-- |
New York, NY : |
Name of producer, publisher, distributor, manufacturer |
I.B. Tauris, |
Date of production, publication, distribution, manufacture, or copyright notice |
2013. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2013 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 digital resource (xxviii, 290 pages) : |
Other physical details |
illustrations ; |
Dimensions |
24 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
490 0# - SERIES STATEMENT |
Series statement |
International library of architecture ; |
Volume/sequential designation |
1 |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 277-284) and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Loos and fine art -- Loosian vernacular : an American case -- Loos and imperial New York -- Critique of ornament -- Architecture and ornament in fact -- Everybody's doric -- Architecturelessness and sustainable art -- The Wittgenstein house as Loosian -- Loos and minimalism. |
520 8# - SUMMARY, ETC. |
Summary, etc. |
Widely regarded as one of the most significant prophets of modern architecture, Adolf Loos was a celebrity in his own day. His work was emblematic of the turn-of-the-century generation that was torn between the traditional culture of the nineteenth century and the innovative modernism of the twentieth. His essay 'Ornament and Crime' equated superfluous ornament and 'decorative arts' with tattooing in an attempt to tell modern Europeans that they should know better. But the negation of ornament was supposed to reveal, not negate, good style; and an incorrigible ironist has been taken too literally in denying architecture as a fine art. Without normalizing his edgy radicality, Masheck argues that Loos' masterful "astylistic architecture" was an appreciation of tradition and utility and not, as most architectural historians have argued, a mere repudiation of the florid style of the Vienna Secession. Masheck reads Loos as a witty, ironic rhetorician who has all too often been taken at face value. |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Loos, Adolf, |
Dates associated with a name |
1870-1933 |
General subdivision |
Criticism and interpretation. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art and architecture. |
843 ## - REPRODUCTION NOTE |
Type of reproduction |
Photocopy |
887 ## - NON-MARC INFORMATION FIELD |
Source of data |
CamTech Library |
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
a |
7 |
b |
cbc |
c |
copycat |
d |
2 |
e |
ncip |
f |
20 |
g |
y-gencatlg |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Books |
Suppress in OPAC |
No |