000			02745nam a22002777a 4500
003			OSt
005			20220818211634.0
008			220818b |||||||| |||| 00| 0 eng d
020			_a9781118700648
040			_c0
082			_a720.222 COO
092			_20
100			_aCook, Peter
245			_aDrawing _bthe motive force of architecture _cPeter Cook
250			_a2nd ed.
260			_aChichester, West Sussex, England : _bWiley _c2014
300			_a248 pages) _billustrations (chiefly color) _c26 cm
490			_3AD primers.
505			_a Drawing and motive -- Drawing and strategy -- Drawing and vision -- Drawing and image -- Drawing and composition -- Drawing with expression and atmosphere -- Drawing and technics -- Drawing and surface -- Beyond drawing, beyond reality -- Digital-manual drawing and the power of the eye.
520			_aFocusing on the creative and inventive significance of drawing for architecture, this book by one of its greatest proponents, Peter Cook, is an established classic. It exudes Cook's delight and catholic appetite for the architectural. Readers are provided with perceptive insights at every turn. The book features some of the greatest and most intriguing drawings by architects, ranging from Frank Lloyd Wright, Heath-Robinson, Le Corbusier, and Otto Wagner to Frank Gehry, Zaha Hadid, Coop Himmelb(l)au, Arata Isozaki, Eric Owen Moss, Bernard Tschumi, and Lebbeus Woods; as well as key works by Cook and other members of the original Archigram group. For this new edition, Cook provides a substantial new chapter that charts the speed at which the trajectory of drawing is moving. It reflects the increasing sophistication of available software and also the ways in which 'hand drawing' and the 'digital' are being eclipsed by new hybrids--injecting a new momentum to drawing. These 'crossovers' provide a whole new territory as attempts are made to release drawing from the boundaries of a solitary moment, a single-viewing position, or a single referential language. Featuring the likes of Toyo Ito, Perry Culper, Izaskun Chinchilla, Kenny Tsui, Ali Rahim, John Berglund, and Lorene Faure, it leads to fascinating insights into the effect that medium has upon intention and definition of an idea or a place. Is a pencil drawing more attuned to a certain architecture than an ink drawing, or is a particular colour evocative of a certain atmosphere? In a world where a Mayer drawing is creatively contributing something different from a Rhino drawing, there is much to demand of future techniques.
650			_aArchitecture, Modern _xArchitecture
650			_aDesigns and plans. _xArchitecture
843			_aPhotocopy
887			_2CamTech Library
942			_2ddc _cBK _n0
999			_c493 _d493