000 | 01271nam a22002657a 4500 | ||
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003 | OSt | ||
005 | 20240723162250.0 | ||
008 | 240723b |||||||| |||| 00| 0 eng d | ||
020 | _a9780520242265 | ||
040 | _c0 | ||
082 | _a745.2001 NOR | ||
092 | _20 | ||
100 | _aArnheim, Rudolf | ||
245 |
_aVisual Thinking _cRudolf Arnheim (Author) |
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260 |
_aBerkeley, CA _bUniversity of California Press _c2000 |
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300 |
_axviii, 347 pages _c23 cm |
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520 | _aFor thirty-five years Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of The Dynamics of Architectural Form, Film as Art, Toward a Psychology of Art, and Art and Visual Perception, asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. An indispensable tool for students and for those interested in the arts. | ||
650 |
_aArt _xPhilosophy |
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650 | _aVisual perception | ||
650 |
_aIndustrial design _xPsychological aspects |
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650 | _aHuman engineering | ||
843 | _aPhotocopy | ||
887 | _2CamTech Library | ||
942 |
_2ddc _cBK _n0 |
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999 |
_c1744 _d1744 |